Modelling Techniques
By John Elwood & Members
Frame Construction
Suggested tools
Why use glue to make a cart or waggon frame? There is a quick retort,
why not? If it looks right, does it matter? No, the point being
made concerns the achievements and frustrations of the wheelwright,
when glue for him, was not available. If you wish to follow in his
footsteps, then you must emulate his ways to find out how it was
done.
Here, we are restricting ourselves to his mortise and tenon joints
which are superior to gluing two pieces of wood at right-angles
to each other, and are so easy to cut at 1: 16 scale, and even easier
at 1:12 and 1:8 if those are the scales that you prefer. The secret,
if there is one, is not to pre-drill the mortises, which makes it
difficult to stop the chisel from slipping into the hole.
Although the width of the mortise is traditionally just over 1/3rd
of the width of the timber, the final width is governed, not by
measurements, but by the width of the chisel, mortise gauges are
set to the chisel, though they are unnecessary at model scales.
Using 1/16 and 3/32 inch flat swan-necked gouges or a 1/8 inch bevel-edge
chisel for 1:16 scale, will cut equivalent 1 inch, 1½ inch
and 2 inch mortises.
The last chisel gives the game away; the back, as in all mortise
chisels, is ground off so that it is not as wide as the face, in
order to clear the hole and prevent it from sticking. Tiny flat
gouges can be ground off in the same way. The sharpened angle does
not need to be blunt like that of a mortise chisel, as long as you
realise that it will not be as robust and you must be careful not
to snap it.
At this scale, no mallet is needed, for the chisel can be pushed
into hardwood. Neither is it necessary to mark out the joint conventionally,
just mark a centre line the length of the hole, and straddle it
with the chisel. The grain of the wood keeps the hole straight.
Wood with a straight grain helps. At 1: 8 scale, oak can be used
for framing just as the wheelwright did, but at 1:16 scale the finer
grain of Ash gives much better results.
Hold the wood in a vice. Begin by making a cut at each end, with
the face of the chisel facing outwards; then in order not to crush
the ends of the hole, do not touch these cuts until the very end.
If you push little cuts with the chisel all the way down the line
at 1:16 inch intervals, the grain collapses, and the little pieces
can be levered out from time to time. Do not force, and break the
chisel. When the depth is approximately halfway through, turn the
wood over, and work from the other side after ensuring that both
holes will coincide. Soon you will go right through, and the pieces
will fall out.
Finally clean up the ends where you made the first two cuts. It
is simple! Stopped mortises are not more difficult, but require
a little more patience
The tenon is cut to fit the hole. The end of the wood is held up
against the mortise, and marked from it using a sharp pencil and
your fingers to form a thickness gauge, ready for sawing outside
the line. With a square, mark off the haunch end in the usual manner.
A method developed in the Northumberland shipyards for sawing tenons
has stood the test of time. Hold the wood vertically in the vice
with the cutting lines at right angles to the length of the bench.
Start the saw-cut on the back edge of one of the lines, and work
towards you, and down, so that you can see what you are doing. Leave
the far edge uncut to hold the saw in place Do the other line, turn
the wood round and make two more cuts in the same manner; then saw
down horizontally, using the previous cuts as a guide. This method
reduces all errors.
Then turn the wood horizontal and cut the shoulders so that the
waste falls away. On a good day simply hammer in the tenon, but
on an irritating one; ease it in with a file.
Always make a through tenon a fraction too long, to clean off flush,
or to leave protruding as they usually are on a vehicle. If you
have your own method, that's fine.
The model will be much stronger, and look more realistic for your
efforts, and you will have the satisfaction of working as a true
wheelwright or joiner.
An exception is preferable when mortising naves. Here the hole
must be in exactly the right position and must run in accurately
to the centre, so a dividing head is advisable. Start with a ring
of vertically drilled holes at the back ends of each mortise. Then
set in the angle of dish on the front ring of holes. Note that the
back ring is always drilled at right angles to the axis of the nave
and the tenon tapers.
A mortise and tenon is a sophisticated joint that has stood the
test of time for builders, carpenters, wheelwrights and shipwrights.
It gives great satisfaction both to the maker and user. Once you
have tried it you won’t want to glue the pieces together again.
BASIC TOOLS
All tools may be purchased from Proops, Squires, some from Hobbies
or good model/toolshops. Large tools only can be purchased from
Super DIY stores.
Tools marked * are optional
CUTTING TOOLS
Shears and tin-snips (Universal,
tinman and Jewellers)
Cutters for soft and meduim
metal)
Scissors
X-acto craft knives or the equivalent (Swan-Morton etc)
Cutting mat
*Miniature tube cutter
DRAFTING AND MARKING
MATERIALS
Pencils
Scribers
Centre punch (1/16")
Rulers 6 & 12 inch (Proops sell a 1/12th scale 12 inch ruler)
Squares
Dividers Outside, Inside, Spring
Rubbers
Adjustable bevel, protractor
and mitre gauge
DRILLS
Hand drill
Assorted drills (Imperial,
metric and Microdrills)
*Pillar drill (full size)
*Mini drill and *pillar stand (Dremel, Draper, Rotacraft, Minicraft)
*Pendant drill or flexishaft
EDGE TOOLS
Small and medium chisels (preferably bevel edged 1/16", 1/8"
(home-made from old needle files),
1/4", 3/8", 1/2", 3/4")
Medium grit stone
Diamond
FILES
Assorted sizes grades of flat, round, triangular Files
Needle files as above
Warding files
FINISHING TOOLS
& MATERIALS
*Planning machine (preferably with thicknesser)
Block plane
*Mini planes (Block, razor, trimming plane etc)
Reamers and broaches
Glass paper (medium fine and garnet)
Emery paper (fine and garnet)
HAMMERS
Medium Ball pane
Pin hammer (4 oz etc)
HOLDING TOOLS
Small and medium bench vice(s)
Hand vice(s)
Pin vices
Clamps (Small, medium, large)
MISCELLANEOUS
Screwdivers (normal and
precision)
Tweezers
DIY jigs to suit the job
you are doing made from the available tools and scrap materials
PAINTING (see
also Finishing Tools & Materials)
Good quailty paints (Humbrol
Phoenix etc) (acrylic, matt, gloss etc)
Good quality artists paint
brushes (Preferable sable)
*Airbrush (Badger, Draper,
Humbrol, Vivolor similar make)
PLIERS
Square, round and snipe nosed (various sizes)
Round nosed jewellery pliers
SAWS
X-acto razor saw (for
very fine work)
Record mini-saw
Gents saw
Coping saw
Fretsaw and blades (assorted
grades for thickness of work in wood and metal
Piercing saw
*Band saw
*Circular saw
*Jig Saw
Mitre boxes
SCREWCUTTING
BA taps & dies (2
– 12BA)
Circular die holder (for
above)
Tap wrench (for above)
SOLDERING TOOLS
& MATERIALS
Electric Soldering Iron(s) (25W) flux and solder for soft soldering
Torches, “Easy flow” flux and “easy” silver
solder for hard soldering
Third hand
*Charcoal block
TURNING TOOLS
Small lathe (wood turning e.g. Picador)
Small turning tools.
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